Entry tags:
001 Clone Chaos
[A: Lounge - Abel and Cain]
[Cain and Abel have been left alone, smaller brother still clinging to the taller one like a limpet. He knows he should let go, but this is so confusing and there is an ache in his chest that says all is not right between them. It's wrong to see his brother and not look into an identical face (albeit set in a scowl), it's wrong to see distress and grief in his eyes when they meet, and he wants it to go back to how it should be.]
...
[B: Kitchen - Rachel, Esther and Nanako]
[Having left the two failures alone the three girls have adjourned to the kitchen, where everything is set up and ready for the perfect mother to cook and clean for her family.
Or something like that.]
[C: Phone - Open to All]
[Some time later, after the emotional rollercoaster of that talk with Abel and still somewhat shell-shocked, Cain has come to himself enough for it to sink in there were others trapped here like them, and if they are all going to be working together then they needed to get acquainted. So there's a young boy's voice over the telephone, sounding calm and friendly. It's just a shame the background noise is less soothing.]
Ah-- Good evening, people of Mayfield. My name is Cain Knightlord and I've just arrived, along with most of the others in this house. Miss Alucard was already here; but the other new people are Abel Nightroad, Esther... [He didn't get her last name, so there's a small awkward pause.] ...and Nanako Dojima. I won't bore you with questions, Miss Alucard has been kind enough to explain most of what we need to know, but--
[What he says next is lost, as there comes a feminine screech from the kitchen, ranting something about 'housewives' and 'lazy priests making their own breakfast'. There's a crash of something heavy and squawk, before finally Cain's voice is audible again.]
--so I'm sure you'll agree with me. If it's not too much trouble, we'd love to get to know you all in return, so please don't be strangers.
[ooc: Part C is open to all and might be responded to by everyone in the house (Cain, Abel, Esther, Nanako and Rachel.]
[Cain and Abel have been left alone, smaller brother still clinging to the taller one like a limpet. He knows he should let go, but this is so confusing and there is an ache in his chest that says all is not right between them. It's wrong to see his brother and not look into an identical face (albeit set in a scowl), it's wrong to see distress and grief in his eyes when they meet, and he wants it to go back to how it should be.]
...
[B: Kitchen - Rachel, Esther and Nanako]
[Having left the two failures alone the three girls have adjourned to the kitchen, where everything is set up and ready for the perfect mother to cook and clean for her family.
Or something like that.]
[C: Phone - Open to All]
[Some time later, after the emotional rollercoaster of that talk with Abel and still somewhat shell-shocked, Cain has come to himself enough for it to sink in there were others trapped here like them, and if they are all going to be working together then they needed to get acquainted. So there's a young boy's voice over the telephone, sounding calm and friendly. It's just a shame the background noise is less soothing.]
Ah-- Good evening, people of Mayfield. My name is Cain Knightlord and I've just arrived, along with most of the others in this house. Miss Alucard was already here; but the other new people are Abel Nightroad, Esther... [He didn't get her last name, so there's a small awkward pause.] ...and Nanako Dojima. I won't bore you with questions, Miss Alucard has been kind enough to explain most of what we need to know, but--
[What he says next is lost, as there comes a feminine screech from the kitchen, ranting something about 'housewives' and 'lazy priests making their own breakfast'. There's a crash of something heavy and squawk, before finally Cain's voice is audible again.]
--so I'm sure you'll agree with me. If it's not too much trouble, we'd love to get to know you all in return, so please don't be strangers.
[ooc: Part C is open to all and might be responded to by everyone in the house (Cain, Abel, Esther, Nanako and Rachel.]
C
I'm Aaron by the way.
C forever
...Sorry, did that get cut off, Mr. Aaron?
CCCCCCC
Revenge of the C
C you in the next tag. /dies
I C what you did there...
C is for cookie, that's good enough for me.
mmm cookies
Re: mmm cookies
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
no subject
H-Hello.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
C
Ah-- this is Abel Nightroad, one of the new bunch here... We're a cozy little group, it seems. Quaint, really. Don't let the background 'music' fool you.
Re: C
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
no subject
(no subject)
(no subject)
phone forever
and ever into the sunset
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
A forever <:
he still isn't sure he's not simply... howling mad, but this feels... so real. so, so real. however impossible it is, it... is calling at old echoes of a bond shared with a brother dead and gone.]
8)
But he doesn't care, his fingers curling tight into pajama fabric and his nose buried in the crook of his neck.]
What... happened to you?
(8
p_o
o_q
Re: o_q
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
C
Hello, dears! I'm Madame Foster.
C
It's a pleasure to meet you, Madame Foster!
[He sounds like he might giggle, he's never been called a 'dear' before.]
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
H-Hello.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
C
(no subject)
(no subject)
no subject
(no subject)
(no subject)
[phone]
Sorry, I couldn't understand half of that, considering the background noise and all. What did you say?
((ooc: also Mika has a permissions post (http://notlikethemovie.livejournal.com/11485.html)!))
awesome, have filled it out <3
yay~ ♥
♥
:3 ~ ♥
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
[phone]
Um, s-sorry it's so loud.
[phone]
[phone]
[phone]
[phone]
[phone]
[phone]
[phone]
[phone]
[phone]
[phone]
[phone]
[phone]
[phone]
[phone]
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
[phone]
[phone]
[phone] 1/2;
[phone]
[phone]
[phone] 1/3
[phone] 2/3
[phone] 3/3
[phone]
[phone]
[phone]
[phone]
[phone]
[phone]
[phone]
[phone] 1/2
[phone] 2/2
[phone]
[phone]
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
[phone] whatever mako and ena says works for me
Please disregard that. My lovely husband and I are just kidding around.
[phone] okay~ :3
[phone]
[phone]
[phone]
[phone]
[phone]
[phone]
[phone]
[phone]
[phone]
[phone]
[phone]
[phone]
[phone]
...
...
...
...
...
B
Um, what did you want to make?
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
C, ofcourse, since he's not in the house
[ He huffs in annoyance. He sure hasn't, as his mind is still set on going back to his old home. ]
no subject
Mm hm, a little...
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...